Sharp focus, and a camera department that keeps the day on schedule.
From commercials to feature films and series, you book me to pull focus. You also get a gear check planned before the shoot, a clear report after it, and someone who can get a misbehaving wireless system working again before it costs you shooting time.
On the shoot day
- Every take in focus
- Marks, measurements and a plan agreed with the DOP before we roll.
- A camera department that runs
- Builds, lens changes and setups ready when the DOP asks, with the 2nd AC working in step.
- Problems fixed on the spot
- Wireless focus, camera control and monitoring sorted fast, without stopping the set.
- Kit accounted for
- From load-in to wrap, every lens, battery and accessory tracked and protected.
Other ACs call me when their systems break.
Systems I know inside out
- ARRI Hi-5Connection, pairing and camera control.
- ARRI Hi-5 with ZMUZoom and focus setups that hold up all day.
- Tilta NucleusWireless focus setup and troubleshooting.
Gear checks that run on time
- A schedule to production the day before, with a planned end time.
- Triage of the full kit list, with every missing or faulty item flagged.
- Lens tests for each camera and recording setup on the job.
- A clear report afterwards: what took time, and how it was solved.
I run this with my own tool, Gear Check Companion, now in private testing.
Fixes from set
Short videos of real problems on set and how to solve them. First up: getting an ARRI Hi-5 to connect and stay connected.
Booking a shoot?
Commercials, feature films and series. Send the dates, location and camera package, and I’ll get back to you.